#3 In the Pique Assiette Mosaic Inspiration Series – Meditation, the Bowl and the Buddha

Meditation was something that I always wanted to do but never thought I could. I’d read about it and researched it a bit and decided it was not for me. Me, empty my mind? Don’t think so. Find 30 minutes to meditate more than once a day? Uh uh. So I gave up on it. But one day at the library I found a book written as though just for me, “Miss Instant Gratification”. It was called “Meditation Made Easy” by Lorin Roche.

Well, I snapped it up and you know, it was wonderful. The book made it all easy. You don’t have to empty your mind, just return your focus to your breathing, after allowing thoughts to “float through”. Ok I could do that. And you can do it in 5 minutes! Or even less once you get the knack of it.

He encourages you to develop your own way of meditating that fits your life. Since then, I’ve been recommending his book and been busy teaching my version of it to everyone I think needs it . And that, just recently, included my #1 son Paul (we have three sons and he was our first) and his wife, Olya, who are just a bit frazzled with a quite wonderful, adorable, beautiful and totally lovable (grandma speaking here) two-week old son.

Which brings me to my next Pique Assiette Mosaic inspiration and how it came to be. Bet you wondered where this was leading, didn’t you?

Buddha Shrine, Helen Bushell, summerhouseart.com

Again, the piece started with a piece of crockery but this time it was already broken.  Using crockery, dishes and ornaments puts this mosaic into the Pique Assiette category, which roughly translated means “stolen dishes”.

Hart, our fellow artist and great friend, had a client who had this lovely Japanese bowl, actually an antique, maybe valuable, now not fixable and she gave it to him to do his creative magic with. And he gave it to me.

Somehow the colors in the intricate pattern which are an almost burnt orange color and a deep blue seemed to be a perfect backdrop for one of my most meditative buddha ornaments from the Japanese restaurant collection. And with the thought that a circular shape would be most restful, the design inspiration was almost complete. Another blue plate, with an edge of concentric raised lines, was broken to create a feeling of rippled water in front of the meditating figure which became the finishing touch.

So there were all the elements of design inspiration: Meditation, Japan, blue rippled water, circular shapes being restful, the beautiful pattern of the Japanese bowl in burnt orange and blue, and the white buddha all coming together.

Buddha Shrine, Helen Bushell, summerhouseart.com

Today this mosaic has it’s honoured spot in the corner of the greenhouse, in amongst the plants and next to a wicker birdcage. It draws my eye and just it’s peaceful look gives me a meditative moment. And according to “Meditation Made Easy”, sometimes a moment is all you need.

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#1 in the Pique Assiette Mosaic Inspiration Series – Hawaii

Next week I’ll be starting mosaic classes for a few new students and I know that one of the questions everyone usually has is how to come up with an idea for a piece. So I’ve decided to do a series of blogs on inspiration.

Well, getting inspiration is really not all that hard. Sometimes you just let it all happen. Often, my problem isn’t getting an idea but choosing which idea to work on. I usually have too many ideas. I’m a Pisces and apparently making decisions is tough for those of us in this area of the horoscope. Or, as Jimmy Buffet says  ” Indecision may or may not be my problem”.

It may be easier to show how inspiration works than explain it. So, as I said in the beginning of this blog, I intend to do a series and will show a few of our mosaic pieces and how they came to be. And hopefully that will say a bit about inspiration.

#1 in the series is my favourite mosaic,” Aloha”, one of the first mirrored and shelved mosaics I did. What was the inspiration? Well, obviously, Hawaii. We had enjoyed every moment of a vacation in Hawaii. We’d immersed ourselves in every touristy thing and soaked it up. We wore Hawaiian shirts and shorts and carried our camera around our necks.

Will and Helen in Hawaii, summerhouseart.com

I fell in love with the Hula dance and the music and Will and I both fell in love with Hawaiian shirts. And then of course there were the palm trees and all the tropical flowers, like orchids. Well, nirvana. And did I mention that the first morning on Oahu we went, wait for it…yup, garage sailing. And some of the pieces that went into this pique assiette mosaic came from those Hawaiian garage sales.  Pique Assiette, by the way refers to a type of mosaic done with broken dishes and found objects, which is right up my alley.

Once we got home, I had the idea to make a piece to commemorate our trip, and things just started to happen. Things for the mosaic started to appear on trips to thrift shops.

saltpepperwm

The dishes with the palm trees and parrots, the Hawaiian dashboard dancer ( I LOVE kitsch) , the bananas and the plates and salt and pepper shakers. All of them just appeared in my site lines as if by magic.

Aloha Shrine by Helen Bushell, summerhouseart.com

At some point I got the idea to have a shelf to hold all of the Hawaiian goodies. And then I had to create something to put under the shelf. This gave the extra benefit, we realized later, that when you were sitting down you had a whole other dimension to enjoy in the mosaic.

detail, Aloha Shrine by Helen Bushell, summerhouseart.com

So that’s how inspiration works. Get an idea, a germ of an idea and somehow what you need for it will make itself available. And all of those things will, if you let them, arrange themselves until they feel just right to you and viola! There you are with a mosaic project to do.

And another thing, don’t let the reality get in the way of artistic inspiration. Ok, I know that bananas don’t grow that way on banana trees and that there aren’t really any parrots in Hawaii, why I don’t know. And that bird that’s sitting on the pineapple on the top, well, that just happened and looked good. So go with the flow, relax and let inspiration take it’s course.

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Getting Hooked on Pique Assiette Mosaics

I think the whole recycling way of life probably led to us getting involved in mosaics. We always found some way to have what we wanted by finding it used or creating it ourselves.

Our very first pique assiette mosaic came about in 1988 or 89, when I decided that I must have birdbath, a really nice birdbath, not just any old birdbath from the garden shop. I’d seen some mosaic made with old dishes in a magazine and the idea clicked. We needed a mosaic birdbath! From that first stab at mosaic we ended up discovering the joys of pique assiette, which in rough translation, means stolen dishes. Well, of course, we didn’t steal dishes, but we found a lot of good material at my favourite store, Value Village. That and all the Sally Ann Thrift stores that abound everywhere.

The base of the birdbath was made by pouring cement into a sono tube found at the local building supply store. The top was built by lining a cardboard box with a black plastic bag and pouring in cement. We scooped out the middle to create a hollow in the centre which would become the bath area. By pulling up on the bag we made the sides rounded.

Now this was our very first attempt and we had no clue. We wouldn’t do the mosaic the same way now that we know so much more. As soon the cement was cured we just set up the base and the top on a picnic table in the back yard. We’d gone to Value Village and found as many dishes as we could in different colors and spread them out on a picnic table in the backyard. We’d put a dish in a plastic grocery bag and whack it with a hammer. The bag was to keep the pieces from flying around on the grass. Soon we were really good at it.

progress, Our first Pique Assiette birdbath, Helen and Will Bushell, summerhouseart.comThen we arranged the pieces in a loose pattern on a piece of newspaper. For each section we mixed up a small batch of cement, applied a small area of it on to the surface of the base about a half an inch thick and pushed the pieces of broken dishes into the mortar. As it began to set, we would scrape away the cement around the last section as closely as we could to the dish pieces and then mix up a new batch of cement and carry on with pushing the pieces in.

progress, Our first Pique Assiette birdbath, Helen and Will Bushell, summerhouseart.com

As you can imagine the sound of all these dishes breaking in our backyard soon brought out the neighbours who one by one made their way over to our back yard to find out what the heck we were up to.

All in all, the bird bath was quite successful. We left the bath area bare of mosaic for easier cleanup of it with a garden hose. We also tried to make quite sure that the pieces on the rim didn’t have any sharp points poking out, didn’t want our feathered friends to get cuts. The bird bath was also very very heavy, and when we moved to Victoria, we gave it to a close artist friend for her front yard where it weathered in beautifully.

Our first Pique Assiette birdbath, Helen and Will Bushell, summerhouseart.com

I like the look of that birdbath, sort of lumpy and rough. If we were to make the same thing today, we would apply mortar to each piece of dish, apply it to the cement base and when it was all set, we would apply grout. So much easier and better looking.

There is something about the surface of mosaic. Something about the way it glistens and sparks in the sunlight. I was hooked with that first mosaic. Even now when I get a piece done I rush outside with it to see it in the sunlight. All in all, the birdbath was the beginning of a wonderful journey.

Creating art with recycled materials is a triple thrill. You wake up a real sense of creativity, get to see dishes and ornaments in a whole new way and hey, you get to make art-without-guilt, as I love to tell my mosaic students. To see more of our mosaics and what can be done with old dishes, have a boo at our mosaic gallery pages.

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